Normally an IN-Situ performance starts with understanding and feeling the space. It can also start with receiving information about the space. An in-situ performance can have different shapes and formats. The dialogue is the most important when we are creating together with the context, so we propose a minimum stay of 3-5 days before the performance.
We also create site-reactive performances – that means performances which were created in a certain context interact with another context or space.
For example, we realized an in-situ performance of Sklenka Melta in the courtyard of a monastery in Aix-en-Provence. Furthermore we are interested in representing in-situ performances created for a certain context in other contexts to experiment their transformation and playing with contextualization and de-contextualization.
With the support of:
